FAKE ENLIGHTENMENT – James Mathers and the VAC Music Project

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Venice Arts Club member JAMES MATHERS and VAC founder DOUG LEWIS collaborated on FAKE ENLIGHTENMENT with video/graphics editor CIA MAC. 66 illustrations for Fake Enlightenment were created by Mathers during the production and recording of the companion song. Fake Enlightenment appears on Volume 1 (of 8 volumes) of the Venice Arts Club Music project.  Album art for VAC v.1 by Jamie Cohen. Video below the lyrical fold.

Higher senses, other worlds
Hidden dimensions, flying squirrels
What are the qualities of the expanded state
And who said enlightenment is so fricking great

Fake Enlightenment, now only 6.66
Fake enlightenment

Who’s a slave, and who is free
And who don’t lose their crystal key
What’s your means or what’s your method
Hold your breath until you turn blue

How close can you get to the real fake thing
How close can you get to the real fake thing
Before it’s all too true

Throughout all time radiant beings have come
To show us how it’s done
Sometimes we kill them but that’s ok
Another one is born a hundred times a day

Who said enlightenment is so fricking great
Who said enlightenment is so fricking great

You may already be a winner…

FAKE ENLIGHTENMENT – VIDEO

JAMES MATHERS IN IRELAND – Conceived and cast bell for Maria Guinness

FAKE ENLIGHTENMENT – James Mathers storyboard images, oil chalk on black resolution paper

VENICE ARTS CLUB MUSIC PROJECT – Volume 1

PRODUCED BY VAC


ALDEN ART – This Modern Life: Poetry and Image of Alden Marin

Venice Arts Club member ALDEN MARIN is a Los Angeles based artist – a poet, painter and musician who uses ‘remnants found’ to create his art. Marin is a weaver of ideas and tactical substance to form an artistic chronology of his day to day. His music provides enlightened depth to his dimension.
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THIS MODERN LIFE
You can say
what you want
about my fickle nature
indecisiveness
and uncertainty
about arrival dates
and departure times–
modes of payment,
credit lines;
whether to go with
day’s initial greyness–
or eventual sunshine;
Being enthralled
by birdsong outside
or irritated, in turns
by the same voices–
Hard to concentrate
in this modern life
with so much transpiring
on screens, phones
wireless devices
modes of communication
seen & unseen–owned
or in the frame
of acquisition mode–
everything ringing
with respective needs
And as many opinions
trying to register beliefs…
You can say what you want
about my actions and moods
and it’s probably true, but
I may or may not
agree with you.
ALDEN MARIN – Asparagus
ALDEN MARIN MUSIC – Fade To Blue

CRUDLAND – Jamie Cohen Art and Fixture

CRUDLAND is a manifesto booklet created by Venice CA artist  JAMIE COHEN (1953-2008). In a series of stark collages, Cohen tells the story of a world gone mad with signage, branding, innuendo and immersion into a culture of advertising and excess.  The Crudland manifesto could be understood as Cohen’s ground of being in that all his later work in sculpture, painting, drawing, writing and song could be traced back to Crudland. The theme of Crudland also served as inspiration for the first release from the FELL MUSIC project, appropriately titled, Crudland.  In 1997, Cohen and Fell Music founder Doug Lewis collaborated with L.A. photographer Patricia De La Rosa on a series of photography portraits using the original Cohen sculpture series as the basis for what would become album art for the Fell Music/Crudland project. It is possible that the original Crudland manifesto booklet still exists.  What we do have are the original images taken by De La Rossa of the Jamie Cohen sculpture series known as Crudland.

JAMIE COHEN – Ball with Hat

JAMIE COHEN – Clown

JAMIE COHEN – Bulleted Heart

JAMIE COHEN – Finger This

JAMIE COHEN – Under Lock and Key

JAMIE COHEN – Dogscape

JAMIE COHEN – Colossus of Crudland

JAMIE COHEN – Crudland Man

JAMIE COHEN

DOUG LEWIS, JAMIE COHEN

FELL MUSIC COLLECTION


AMERICAN LITE – Music of the Post-Paradigm

From FELL MUSIC, Volume One. Recorded at Lotek Studios, Venice CA. The saga of AMERICAN LITE is perfectly illustrated by this piece of wall-art.  Scroll down for video.

AMERICAN LITE

Ready or not, here we go
On demand, the future’s here
On the money, we’re right on track
Are you ready for years of fear

God, Country, War, Money
Burn down the barn to kill off the rat
Accident, incident, another loose coincidence
Throw out the baby to save the bath

Like it or not, all aboard
Men in suits meet the sailor’s whore
There’s a lizard with a slithering tongue
His friend the snake is from the uppermost rung

They’re salivating, waiting in line
For their turn with the whore divine
Torch burning bright, she pays the rent
The blinds are drawn for money well spent

Good news, it’s fair to say
Future’s here where the road gives way
In the fog a sign illuminates
Red light flashing in the night

Return your seatback to the upright position
Fasten your belt for the head on collision
Go ahead and scream but please don’t make a sound
This Friday fish dinner looks like bloody ground round

Grab some bread and run for cover cries a warning
Could be a nasty change coming like a hurricane
Captain and the First Mate staring out across the wake
Of an angry sea
Passengers are getting worried, looking out beyond the break
Not sure what they see

Between the devil and the deep blue sea

FELL MUSIC – American Lite

FELL MUSIC COLLECTION
 

LIFE WITH PICKLE – Collected stories from Colorado writer John Mattingly

Pickle is a farmer, a philosopher, a finagling sort, a deep thinker and a delightful human being.  Most of all he is fun.  John Mattingly’s writing is as full of bounce as an arena full of one-legged clowns in the Country Rodeo on Fourth of July.  The man has verve, wit, and perspicacity.  He’ll make you think, too. These stories are GREAT! One day Pickle is going to be immortal.
John Nichols, author of The Milagro Beanfield War

To order a copy please email: VeniceArtsClub@gmail.com.
Cost is $10.00 with shipping anywhere in the USA.


PHILOMENE LONG – Poet of Venice, CA

Philomene Long – Poet of Venice, CA.


A TOUCH OF EVIL – Orsen Wells in Venice

Here’s the opening scene of “A Touch Of Evil” featuring Windward Ave. The film’s opening became legendary as one of the longest and most complicated ongoing shoots in film history. Venice is used here in this cinematic sequence as a substitute for Mexico and the American border.