AGE OF AUTHORITY – The New White Trash and ‘Music of the Post-Paradigm’, Volume II

Rough mixes of selected songs from AGE OF AUTHORITY have been playing for the past eight weeks on the LIFEBOAT HOUR, a weekly one-hour radio show hosted by MICHAEL C. RUPPERT on the Progressive Radio Network.  Ruppert, former cop turned whistleblower, author of Crossing The Rubicon who was also featured in the documentary, Collapse, calls his show, “a nightclub at the end of the world”. The NEW WHITE TRASH is in heavy rotation, and for good reason.  Ruppert, along with Venice, CA music producer and Venice Arts Club host Doug E. Lewis, formed the NWT in 2009, soon after they met over dogs at a local Venice dog park. According to Ruppert, “our dogs bonded and so did we”. Meeting Lewis allowed Ruppert to return to his roots as a singer and fulfill his dream of making music.

The result of their collaboration was released January 11, 2011. Recorded at VENICE ARTS CLUB, the album DOUBLEWIDE, a 37 song 2 CD set features a host of Venice locals including multi-instrumentalist and musical activist Wade DeVoid, former Broadway and Soap star, Kristen Vigard, artist and Warhol protege James Mathers, drummer/programmer Andy Kravitz, guitarist Michael Jost, former Shadowfax bass player Phil Maggini, among others.

Next up for the NWT is AGE OF AUTHORITY, due out July 7, 2013. Recorded over the 2012-13 winter at Lewis’ new facility – RED CLOUD RANCH AND RECORDING STUDIO – located in Moffat, CO, at the base of the Sangre De Cristo range in Southern Colorado, Age Of Authority is 18 new compositions from a this time smaller ensemble of players, including Ruppert, Lewis, DeVoid, Mathers, Vigard and with bass guitar contributions from former Frank Zappa bass player, Arthur Barrow.

Says Lewis, “Out here in Southern Colorado though we’re pretty much on the lone prairie, our goal was to make music in a ‘Venice Arts Club’ kind of way, meaning to involve the locals, to find whomever was into making  music and had a desire to sing or play to come on down and step up to the mic. So we found some amazing talent in the town of Crestone, located about twenty miles from my place…just down the road.  Turns out Lea Petmezas, who we met through James Mathers, is a gifted singer, as is Jessica Holopeter.  We enlisted JeseRe Pulver on flute and also ‘Diamond’ Dave Steele, who contributed some acoustic guitar tracks.”

Kristen Vigard, who  now calls Taos, NM, home and has been making music with Lewis for twenty years, spent the better part of the three month recording process driving back and forth from Taos through sometimes wicked winter weather, explains that, “…it was totally worth it.  Anytime I have an opportunity to record with Dougie, I’ll take it.  We’ve been doing this a long time together, him and I. He knows how to make a record and have fun doing it.”

Ruppert agrees, and adds, “making this album was endearing but also enduring because, unlike being in Venice at the VAC with the back doors open and the fire pit flaming and lots of people milling and chilling, out at Red Cloud in Colorado we had a much more isolated and harsh environment – extreme cold made it difficult to remain outside for longer than a few minutes, so it was the group of us spending most of our time inside focused on the tunes. But what a great process it is to work on songs, writing lyrics and rehearsing parts…I love it!”

As a theme, Age Of Authority is a coherent followup to Doublewide. Lewis and Ruppert established early on, by way of manifesto, a musical activism built on social commentary combined with equal part exploration of heart, told primarily through a series of cautionary tales…love, loss, joy, sorrow.

Pre-release copies of Age Of Authority are available for review to music bloggers and music zines. Please contact: BillyBollocks@mac.com

Thanks for tuning in.

NWT Age of A Cover

NEW WHITE TRASH – Age Of Authority

MIchael C. Ruppert and Doug E. Lewis

MIchael C. Ruppert and Doug E. Lewis

Music producer Doug E. Lewis

Music producer Doug E. Lewis

Michael C. Ruppert still from the film, Collapse

KV smile

Kristen Vigard

James Mathers

James Mathers

Doug E. Lewis

Doug E. Lewis

Lea P

Colorado artist Lea Petmezas

Age Of Authority - Long Cold Winter

Age Of Authority – Long Cold Winter

Age Of Authority - Dirty Love

Age Of Authority – Dirty LoveAge Of Authority - Heart On My Sleeve

Age Of Authority – Heart On My Sleeve
Age Of Authority - Foreign Soldiers

Age Of Authority – Foreign Soldiers

NWT logo sticker


‘House Of The Rising Sun’ Revisited – ‘New Orleans’ by the Fell Music Project.

A version of HOUSE OF THE RISING SUN, titled NEW ORLEANS, by the FELL MUSIC PROJECT, produced by Frank Zappa alumni Arthur Barrow at Lotek Studios in Venice, CA.

 

 

VAC GRAPHIC BUTTON


RED CLOUD RANCH & RECORDING STUDIO in Moffat, Colorado

Scenes from Red Cloud Ranch & Recording Studio in Moffat, Colorado. Home of  music producer Doug E Lewis. Red Cloud Ranch is currently host to the New White Trash and the production of their second album, The Inner Reach. Check out the music of the New White Trash here.

RCR&RS.gate.2.small

Image

Image

ImageImage

Image

ImageImageImageImageImageImageImage


AVALANCHE & EARTHQUAKE – Michael C. Ruppert and the New White Trash

As theme songs go, AVALANCHE & EARTHQUAKE by the NEW WHITE TRASH is a good choice. Produced by Doug E. Lewis, A&E is the theme song for the LIFEBOAT HOUR, broadcast Sunday evening at 9p Eastern over the Progressive Radio Network.  

Hosted by former cop turned whistleblower turned journalist/activist turned radio and film person Michael C. Ruppert, a theme of the Lifeboat Hour is ‘a nightclub at the end of the world’.  

Ruppert loves music and he loves the New White Trash, the Venice, CA music project he founded in 2009 with veteran Venice musician and producer Doug E Lewis, multi-instrumetalist Wade DeVoid, drummer Andy Kravitz, singer Kristen Vigard, guitarist Michael Jost, multi-media artist James Mathers, and others.

The outcome was DOUBLEWIDE, the debut album from the NWT, released January 11, 2011 as a 37-song, 2 CD set. Avalanche & Earthquake, from disc one, features two dogs, Rags Ruppert and Squishy Lewis. Ruppert explains how he sees the video as a sort of tribute, in that, “Dougie Lewis and I met through our dogs, at a dog park in Venice, CA. If it wasn’t for the dogs, I can’t imagine how I would have ever had the opportunity to fulfill a deeply personal dream to play and record music.”

NWT musician and songwriter Wade DeVoid explains how Avalanche & Earthquake is an underlying theme of the band and its music, “We call our brand of song, ‘music of the post-paradigm’, it’s a sensibility shared amongst all of us, that we’re in it to play well-crafted songs which (often) combine elements of social commentary and music activism. Equally though, our songs are about matters of love and heart, leaps and losses, cautionary tales, in essence”

NOTE: The NWT is releasing their second album, THE INNER REACH on July 7, 2013. Selected tracks from The Inner Reach are currently being premiered week to week on the Lifeboat Hour.

Check out the video for A&E or listen to the song here.

 Image

Image


GUNTER VILE ‘Poetry Is Ruins’ – Music For Imaginary Film

gunter vile.music for.2

Check out POETRY IS RUINS, a recent release from Los Angeles recording artist Gunter Vile who refers to this collection as ‘music for imaginary film’.

Produced and recorded by Doug E. Lewis @ Venice Arts Club, Venice, CA.


NEW WHITE TRASH and the ‘Music Of The Post-Paradigm’ – Foreign Soldiers

MICHAEL C. RUPPERT may be best known for his featured role in the documentary film, Collapse, of which Robert Ebert had this to say, “I don’t know when I’ve seen a thriller more frightening. I couldn’t tear my eyes from the screen. “Collapse” is even entertaining, in a macabre sense. I think you owe it to yourself to see it.”

As a young cop Ruppert blew the whistle on the LAPD and CIA when he discovered a drug smuggling connection between the two. He went on to write the seminal, Crossing the Rubicon, the Decline of the American Empire in the Age of Oil and is currently the host of a popular one-hour radio show called the LIFEBOAT HOUR, broadcast live on the PROGRESSIVE RADIO NETWORK Sunday evenings at 9p Eastern. 

One theme of the Lifeboat Hour, coined by Ruppert, is ‘a nightclub at the end of the world. Tune in any Sunday and you’ll here the show roar to life with the song, Avalanche & Earthquake, from DOUBLEWIDE, the January, 2011 37 song, 2-CD release from the Venice, CA music project known as the NEW WHITE TRASH

Since mid-March, Ruppert has been premiering new material from the band’s upcoming second album titled, THE INNER REACH, scheduled for release on July 7, 2013. And while he is fond of pronouncing his love for the New White Trash, who refer to their brand of song as ‘music of the post-paradigm’, he’s also only too happy to let everyone know that he the guy singing the lead vocal on Avalanche & Earthquake because he’s a member of the band.

Growing up in the 1960’s in Venice, CA, Ruppert had a love for and dabbled in rock & roll, singing covers with local beach bar bands.  Years later, in early 2008, he met veteran Venice musician/music producer and Venice Arts Club founder Doug E. Lewis while at a local dog park (their dogs are featured in the video for Avalanche & Earthquake).  With Lewis’ encouragement, Ruppert gradually immersed himself in the writing and making of music as a founding member of the New White Trash, an idea concocted by Lewis and Ruppert in the spirit of their shared sensibility, that the music would take, by default, a course of social commentary and music activism. A manifesto was drawn up, other members signed on, the house filled up and the stories and chords of Doublewide unfolded from there.

“I couldn’t be happier”, says Ruppert. “Music is one of the great things in my life, and the opportunity to make this kind of music – to learn how to make this kind of music from guys like Dougie and Wade DeVoid (NWT multi-instrumentalist), to be a part of this process with them and with Kristen Vigard, James Mathers, Michael Jost, Lea Petmezas, we’re a family, a tribe of people who create together.”

With funds saved from the sale and distribution of Doublewide, the NWT reconvened in November of 2012, determined to make a followup album.  The crew moved itself to Moffat, Colorado, a small dot of a town in the San Luis Valley of southern Colorado, known for hot springs, high mountain ranges and the big views. Lewis’ converted farm house became the studio, and for three months the group lived together, ate together, played together.

The Inner Reach features 17 original songs, and picks up where the final line of the final song on Doublewide left off, “It all happened so fast, I don’t know what to make of it.”

Things are happening fast, it seems.  Much is to be questioned, as it seems demockery is in full swing.  Check out FOREIGN SOLDIERS, from the New White Trash and their upcoming album, The Inner Reach.

 

Image

Image


NEW WHITE TRASH and the Music Of The Post-Paradigm, Volume II – The Inner Reach

NWT The Inner Reach Cover alt

NWT.inner reach complex

NWT logo sticker

 

NOTE: The working title/name of the second release from the New White Trash has been changed from The Inner Reach to AGE OF AUTHORITY.  See newer posts for more information. (Updated May 27, 2013)

Since releasing DOUBLEWIDE on January 11, 2011, the members of the New White Trash went their separate ways.

Released on January 11 of 2011, DOUBLEWIDE, the 37 song, double CD release from the Venice, CA music project known as the New White Trash continues to attract listeners in large part to it’s continuous airplay on THE LIFEBOAT HOUR, a one-hour weekly radio show broadcast over the Progressive Radio Network and hosted by ‘uber-activist, former cop turned whistleblower turned journalist and radio/film person of interest, Michael C. Ruppert. Other members of the NWT include Kristen Vigard, known for her background singing with the Red Hot Chili Peppers, and also for her early career on Broadway as the original Annie then later as soap star Morgan Richards on the Guiding Light. Multi-instrumentalist Wade DeVoid adds the multi-instrument music magic.

According to Venice music producer, Doug E. Lewis, who produced Doublewide at the Venice Arts Club, there were no plans to make another NWT record. Here’s how he tells it…

“What happened is that back in April of 2010, after the recording of Doublewide had finished, Mike (Ruppert) moved from Venice to Sebastapol. Around that same time Kristen moved from LA with her daughter Emily to Taos, NM for work, schools, etc. Wade had film and music work in Europe so he was gone. Then over the summer of 2011, I got the itch to get out of LA so I retreated to my ‘ranch’ property in the San Luis Valley of Southern Colorado, a place I call Red Cloud Ranch & Recording Studio. Then in July I got a call from Wade who, before leaving LA, recorded with me a dozen bass tracks for possible future material. And so he calls to say he’s been working with the material and thought how a second NWT album would be a good idea. I had been in touch with Kristen, of course, who being in Taos was only 4 hours south of me. A few days later Mike called to say he’d been researching my area here in the San Luis Valley and decided a move was in the making, which he made a couple of months later. That’s basically how it happened. Wade showed up and we did what we do, which is basically live together and make a record. Ups, downs, highs and lows, it/they all go into the music.

“We began recording November 22nd, 2012 and finished recording February 22, 2013. Since then I’ve gone ahead and added some instrumentation, background vocals, etc. Then I took an ear break of about a month and have been mixing the tracks. A handful have been mixed by Bob Rice, who has also added some instrumentation. Also we’ve been fortunate to have the great and amazing Arthur Barrow (Zappa) play bass on several of the tracks.

“The title for this body of work, THE INNER REACH, came fairly early as a line out of the song of the same name. I’d been kicking around the lyrics for decades, and had even tried recording the song once before but was never happy with it. Originally the lyrics were named ‘Harlem Holiday’ but all that changed, as songs tend to do. This new material is very much in keeping with the NWT vibe and theme – music of the post-paradigm – and also with the NWT manifesto, which Mike and I drew up to address the urgency for a robust and vocal social commentary and music activism.

“I’m really pleased with the vibe of this record. With the dust settled, we have 22 tracks of which 16-17 will make up the album. Musically and lyrically, Inner Reach picks up where Doublewide left off; it’s two years on and it feels that, while humanity may be striving and yearning for ever higher levels of consciousness and awareness, an argument can be made that we have more fully entered the ‘age of authority’. So much of the material on The Inner Reach deals with this post-paradigm shift away from the ‘age of enlightenment’ towards an uneasy, dishonest age of authority. It’s the never-ending slippery slope as described in the NWT manifesto.

“But The Inner Reach also deals with what I call the ‘two sides of one heart’ – Love, War and the politics of both. That line, two sides of one heart’ is from Drifted, one of the new songs on this album sung by Kristen with Mike singing background and also the bridge which goes, “Curse this bloody place I watched/My sail turn to dust/My rudder turn to rust/My compass spin and stop/At a point where I could not.

“I see and hear The Inner Reach as an engaging body of work and typical of a shared sensibility between myself, Mike, Kristen and Wade. There are other contributors also , and we have been fortunate to find amazing talent in the nearby hipster town of Crestone. Jessica Holopeter contributed amazing background vocals, as did Lea Petmezas and JeseRa Pulver, who also played flute. Also Dave Steele on guitar. We were also really fortunate to have another NWT founding member, James Mathers, make an appearance and contribute lyrics to the song, Mad Forgetter.

“As a producer, this kind of music making, what I call ‘community music making’, is central to my creative process. Providing an opportunity for people to contribute, irregardless of their musical stature, pro, amateur or otherwise, is really at the heart of it for me. It basically a situation where what applies most is ‘leave your ego at the door and step up to the mic’. It’s not for everybody, this particular type of process, but it does yield creative results while providing a platform for people to feel a part of.

Currently, the songs from The Inner Reach are being premiered on The Lifeboat Hour. The album is due for official release on July 7, 2013, at which time, like Doublewide, a physical package and a sponsorship package will be available.