NEW WHITE TRASH and the Music Of The Post-Paradigm, Volume II – The Inner ReachPosted: May 12, 2013 | |
NOTE: The working title/name of the second release from the New White Trash has been changed from The Inner Reach to AGE OF AUTHORITY. See newer posts for more information. (Updated May 27, 2013)
Since releasing DOUBLEWIDE on January 11, 2011, the members of the New White Trash went their separate ways.
Released on January 11 of 2011, DOUBLEWIDE, the 37 song, double CD release from the Venice, CA music project known as the New White Trash continues to attract listeners in large part to it’s continuous airplay on THE LIFEBOAT HOUR, a one-hour weekly radio show broadcast over the Progressive Radio Network and hosted by ‘uber-activist, former cop turned whistleblower turned journalist and radio/film person of interest, Michael C. Ruppert. Other members of the NWT include Kristen Vigard, known for her background singing with the Red Hot Chili Peppers, and also for her early career on Broadway as the original Annie then later as soap star Morgan Richards on the Guiding Light. Multi-instrumentalist Wade DeVoid adds the multi-instrument music magic.
According to Venice music producer, Doug E. Lewis, who produced Doublewide at the Venice Arts Club, there were no plans to make another NWT record. Here’s how he tells it…
“What happened is that back in April of 2010, after the recording of Doublewide had finished, Mike (Ruppert) moved from Venice to Sebastapol. Around that same time Kristen moved from LA with her daughter Emily to Taos, NM for work, schools, etc. Wade had film and music work in Europe so he was gone. Then over the summer of 2011, I got the itch to get out of LA so I retreated to my ‘ranch’ property in the San Luis Valley of Southern Colorado, a place I call Red Cloud Ranch & Recording Studio. Then in July I got a call from Wade who, before leaving LA, recorded with me a dozen bass tracks for possible future material. And so he calls to say he’s been working with the material and thought how a second NWT album would be a good idea. I had been in touch with Kristen, of course, who being in Taos was only 4 hours south of me. A few days later Mike called to say he’d been researching my area here in the San Luis Valley and decided a move was in the making, which he made a couple of months later. That’s basically how it happened. Wade showed up and we did what we do, which is basically live together and make a record. Ups, downs, highs and lows, it/they all go into the music.
“We began recording November 22nd, 2012 and finished recording February 22, 2013. Since then I’ve gone ahead and added some instrumentation, background vocals, etc. Then I took an ear break of about a month and have been mixing the tracks. A handful have been mixed by Bob Rice, who has also added some instrumentation. Also we’ve been fortunate to have the great and amazing Arthur Barrow (Zappa) play bass on several of the tracks.
“The title for this body of work, THE INNER REACH, came fairly early as a line out of the song of the same name. I’d been kicking around the lyrics for decades, and had even tried recording the song once before but was never happy with it. Originally the lyrics were named ‘Harlem Holiday’ but all that changed, as songs tend to do. This new material is very much in keeping with the NWT vibe and theme – music of the post-paradigm – and also with the NWT manifesto, which Mike and I drew up to address the urgency for a robust and vocal social commentary and music activism.
“I’m really pleased with the vibe of this record. With the dust settled, we have 22 tracks of which 16-17 will make up the album. Musically and lyrically, Inner Reach picks up where Doublewide left off; it’s two years on and it feels that, while humanity may be striving and yearning for ever higher levels of consciousness and awareness, an argument can be made that we have more fully entered the ‘age of authority’. So much of the material on The Inner Reach deals with this post-paradigm shift away from the ‘age of enlightenment’ towards an uneasy, dishonest age of authority. It’s the never-ending slippery slope as described in the NWT manifesto.
“But The Inner Reach also deals with what I call the ‘two sides of one heart’ – Love, War and the politics of both. That line, two sides of one heart’ is from Drifted, one of the new songs on this album sung by Kristen with Mike singing background and also the bridge which goes, “Curse this bloody place I watched/My sail turn to dust/My rudder turn to rust/My compass spin and stop/At a point where I could not.
“I see and hear The Inner Reach as an engaging body of work and typical of a shared sensibility between myself, Mike, Kristen and Wade. There are other contributors also , and we have been fortunate to find amazing talent in the nearby hipster town of Crestone. Jessica Holopeter contributed amazing background vocals, as did Lea Petmezas and JeseRa Pulver, who also played flute. Also Dave Steele on guitar. We were also really fortunate to have another NWT founding member, James Mathers, make an appearance and contribute lyrics to the song, Mad Forgetter.
“As a producer, this kind of music making, what I call ‘community music making’, is central to my creative process. Providing an opportunity for people to contribute, irregardless of their musical stature, pro, amateur or otherwise, is really at the heart of it for me. It basically a situation where what applies most is ‘leave your ego at the door and step up to the mic’. It’s not for everybody, this particular type of process, but it does yield creative results while providing a platform for people to feel a part of.
Currently, the songs from The Inner Reach are being premiered on The Lifeboat Hour. The album is due for official release on July 7, 2013, at which time, like Doublewide, a physical package and a sponsorship package will be available.